![]() Synth Effects are applied to individual timbral layers, while Master Bus Effects can be accessed via sends from all three synthesizers. Effects can be applied as Synth Effects and Master Bus Effects. ![]() ![]() Onboard effects – the Moog One offers a library of programmable per-synth and master bus effects, including chorus, delay, phase, bit reduction, vocoding, and a suite of premium Eventide reverbs such as Blackhole, Shimmer, Plate, Room, and Hall. Using the Variation parameter, you can smoothly morph between sine and triangle, square and pulse, sawtooth and ramp, or sample and hold and noise waveshapes. Features include MIDI synchronization and clock divisions, start delay time, number of repeats per instance, fade-in and -out times, and more. Low-frequency oscillators – Moog One offers four wide-range LFOs per voice, assignable to nearly any destination. In addition to looping, synchronization, and time-scaling capabilities, the character of each of these envelopes can be molded by per-stage envelope curves. ![]() Three assignable envelope generators – There are three Moog One assignable DAHDSR (Delay, Attack, Hold, Decay, Sustain, Release) EGs that go way beyond traditional ADHR envelopes in terms of flexibility. Moog Ladder and State Variable filters – the Moog One offers two kinds of analog filters – a multimode State Variable filter and a Moog Ladder filter with selectable 1-, 2-, 3-, and 4-pole lowpass/highpass modes. This unique module is a potent tool for adding percussive attack, breathiness, or full-spectrum impact to a sound.Īnalog mixer – The Moog One mixer provides volume controls and filter routing for each oscillator, noise generator, ring modulator, and external audio input, allowing sound sources to be shaped by using filters independently or in combination. Noise Source – Each Moog One voice has access to an advanced dual-source analog noise generator that lets you select, mix, and dynamically articulate different noise colorations (white, red, and purple) via its dedicated noise envelope generator. The Moog One oscillator section is also equipped with waveform modulation, hard sync, ring modulation, and FM (Frequency Modulation). Moog says that blending the tri/saw and square/pulse waves together ‘opens the harmonic floodgates’. Unlike most traditional oscillator designs, you can shape and modulate the rise/fall time of the triangle wave, and the reset phase of the sawtooth wave, to build analog tones that are rich and complex. Each oscillator outputs a user-defined mix of the selectable triangle/sawtooth wave, plus a variable-width pulse wave. VCOs – The Moog One voice is driven by three newly-designed analog VCOs. Here are details of each Moog One synth voice: You can split or layer the three timbres - each with its own sequencer, arpeggiator, and onboard effects library - across the 61-note Fatar keyboard with velocity and aftertouch. You can also select multiple Synth layers concurrently to simultaneously tweak multiple Synths. Choosing a Synth for panel focus switches control of the Moog One front panel knobs and buttons to the selected Synth layer. The Panel Focus module simplifies and streamlines the complexities of multitimbral synthesis. Each synthesizer ifeatures its own step sequencer, arpeggiator, and effects processor. Two independent analog filters (a Variable State filter and a Moog Ladder Filter) that can be run in series or parallel Ī dual-source variable analog noise generator Īn analog mixer with external audio input Įssentially three independently addressable polysynths in one, the Moog One tri-timbral architecture lets you assign, split, layer, and stack voices with up to 48 oscillators in Unison mode. Three analog voltage-controlled oscillators (VCOs) The Moog One is available in 8- and 16-voice versions, with a sound engine that is described as ‘the most advanced architecture ever conceived for a Moog synthesizer.’ Under your fingers, Moog One will exceed your every expectation as it inspires your musical creativity and opens portals to a vast sonic universe. Years of research went into this analog dream synth, and it shows in every aspect of its masterful design. Moog analog circuits are renowned for their unrivaled punch and rich harmonics, and Moog One represents the definitive evolution of these classic circuits. And then, of course, there’s that legendary Moog sound. Handcrafted at the Moog factory in Asheville, North Carolina, Moog One is a programmable, tri-timbral analog synth featuring an intuitive tactile interface that transcends the boundary between instrument and artist, allowing you to achieve your musical goals unimpeded. As the first polyphonic Moog synthesizer in more than three decades, Moog One spearheads a new era of analog synthesis.
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